
Sundance 2020: Sonia K. Hadad
Sonia K. Hadad is an Iranian writer and director. In 2010, she completed her bachelor’s in theatre and dramatic literature from Azad University in Tehran. She studied film and media arts (MFA) at Emerson College, Boston (2010–2017). She moved to the U.S. in 2013 to continue her education and began making short films, producing for the film industry and also editing TV series and shorts. Here she talks to us on how she took funding her film into her own hands due to the restraints in Tehran and how she feels Sundance is working to decrease the male director domination.

Sundance 2020: Bridget Moloney
Bridget Moloney is a 2020 AFI Directing Workshop for Women fellow. Her independent pilot, I Was a Teenage Pillow Queen, premiered at the 2018 Tribeca TV Festival. She is also an actress, qualifying for great health insurance one national commercial at a time. She earned her bachelor’s degree in theatre and creative writing for media at Northwestern, and her master’s in clinical psychology from Pepperdine. Moloney lives in LA with her husband and two children. Here she talks to us about her glamorous moment of finding out she had been selected for the festival in the bathroom, her camera man crouching in her shower for that perfect shot and the female directors she looks up to.

Sundance 2020: Jessie Kahnweiler
Jessie’s films have amassed millions of views and been featured everywhere from the New York Times to TMZ. Jessie wrote, directed, and starred in a dark comedy about bulimia, The Skinny, which was produced by Jill Soloway, premiered at the Sundance Film Festival, and won a Webby for best dramatic series. Jessie has developed series for Hulu, ABC, CW, and wrote on SKAM Austin for Facebook Watch. She lives in LA with her plants. Here she talks to us about how her script was originally found to be too provocative, why investing in yourself is sometimes the best bet and how making a film is just like looking after her nieces….

Sundance 2020: Élodie Dermange
Born in 1992, Élodie Dermange is a Swiss animation director. She obtained an illustration degree in 2012 in Geneva. In 2017 she directed her first animated short movie, Intimity, which won Grand Prix at the Tampere International Short Film Festival. In 2019, she completed her course at La Poudrière, where she directed her graduation film, Inès. Her she talks to us on how she made her first animated film with limited experience and how her own personal experience with pregnancy and consideration of abortion brought her to make this film.

Underwire 2019: Amani Zardoe
Amani Zardoe doesn’t just have one film showing at this years Underwire Film Festival, she has multiple! Her anthology series Portraits explores how we present ourselves to the world and her XX award nominated short Lazy Money is a stoner comedy about friendship. In this interview she shares her journey into film making.

Underwire 2019: The Pregnant Ground by Haolu Wang
Haolu Wang’s psychological fantasy film follows a woman during the aftermath of a traumatic stillbirth. Here the director shares her influences and challenges of creating a fantasy film on a low budget ahead of her screening at the Underwire Film Festival this week.
Underwire 2019: Once An Old Lady Sat On My Chest by Candice Onyeama
Did the title grab your attention? It did with us too. Candice Onyeama’s short film explores the experience of being Nigerian British. Here she talks to us about her personal influence behind the film and the beauty of community funded films.

Underwire 2019: New Mars by Susie Jones
Susie found her own way to filmmaking when she discovered an unused camera at the while studying literature and made a "Rough Guide to..." her University. This led to her creating an immersive film experience, long before people started using the term 'immersive'

Underwire 2019: Peak by Lucy Rose
Zero budget film making Lucy Rose made her short film Peak on zero budget, the PTSD based drama is showing at this years Underwire Film Festival which is something ticked off the bucket list for Lucy. In this interview she discusses the challenges of the film and the difficulties of moving into film making in a working class environment.

Underwire 2019: My Mother's Eyes by Jenny Wright
Jenny Wright’s animated short My Mother’s Eyes was written after the loss of her mother, in this interview she talks to us about making her film relate universally and being brutal in the editing room with her work.